LE SSERAFIM continues to gain momentum in Japan with a Double Platinum certification and strong Oricon chart results. Their fourth Japanese single “DIFFERENT” topped the Oricon Daily Ranking, while a Tokyo Dome concert is planned for November. At the same time, their North America tour saw rapid ticket sales, sparking both excitement and debate over venue sizes.
LE SSERAFIM Earns Double Platinum Certification Through Streaming in Japan
LE SSERAFIM has proven their growing popularity in Japan by earning a Double Platinum certification for streaming. According to the Recording Industry Association of Japan, their second mini-album’s title track “ANTIFRAGILE” surpassed 200 million cumulative streams as of May. With this achievement, LE SSERAFIM received their very first Double Platinum certification in the streaming category, a meaningful milestone that highlights the group’s expanding influence in the Japanese music market. The song continues to maintain long-term appeal among local listeners and strengthens their standing as a rising force in Japan’s pop scene.
LE SSERAFIM Rises on Japan Charts with Recent Singles
LE SSERAFIM has continued to show strong chart performance in Japan with their recent Japanese-language releases. Their third single “CRAZY,” released in December last year, secured the 24th spot on the “Oricon First-Half Rankings 2025” under the singles category. This result was especially notable because it was the only entry by a K-pop girl group to make the list. Furthermore, their fourth Japanese single “DIFFERENT,” which dropped on June 24, claimed the number one position on the Oricon Daily Singles Ranking immediately upon release. These consistent chart performances confirm that LE SSERAFIM is steadily gaining recognition and a loyal fanbase in Japan.
Japan Welcomes LE SSERAFIM to Tokyo Dome for Solo Concert
LE SSERAFIM’s growing success in Japan has now led to their debut solo concert at the iconic Tokyo Dome. The concert, titled “2025 LE SSERAFIM Tour: EASY, CRAZY, HOT – Encore in Tokyo Dome,” is scheduled to take place over two days, on November 18 and 19. Performing at Tokyo Dome is considered a landmark achievement for artists in Japan, and LE SSERAFIM’s upcoming concert reflects both their rising demand and the confidence their agency has in their ability to draw large-scale audiences. This marks a new chapter in the group’s journey and further cements their presence in Japan’s live concert scene.
North America Tour Sparks Buzz with Rapid Ticket Sales
Outside of Japan, LE SSERAFIM’s North America tour has also become a major topic, particularly in online Korean communities such as MLBPARK. On the first day of general ticket sales, the tour already reached a 93% sales rate. Fans saw this figure as a highly encouraging sign. In cities like Chicago, tickets sold out instantly after general sales opened. Fans quickly claimed all 7,000 seats at Wintrust Arena. However, many pointed out that the arena’s size felt insufficient given the group’s rising international profile. They believed larger venues would better match the current demand.
Fans Share Mixed Feelings Over Venue Sizes in North America
While the North America tour includes venues with over 10,000 seats, several stops—like San Francisco’s Bill Graham Civic Auditorium—hold only about 5,000. Some fans expressed disappointment. They said that Source Music underestimated the group’s drawing power in major cities like San Francisco. Many remarked that LE SSERAFIM steadily increased venue sizes in Japan before they reached Tokyo Dome. They believe the company now follows a similar strategy in North America. Although the smaller venues show a cautious approach, fans remain hopeful. They expect future tours will reflect the group’s rapidly growing status abroad.

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The Bill Graham Civic Auditorium in SF is only a 5k venue. LE SSERAFIM probably didn’t realize how huge San Francisco actually is. SF itself is 800k, but the whole Bay Area (SF-Oakland-San Jose) is like 10 million! They really should’ve factored in the entire metro area.